Events

Choral MasterWork directed by Jinwook Park and Eric Christopher Perry

The final program of the Colby Symphony Orchestra’s 2019-20 season begins with Haydn’s Surprise Symphony, a work that has become famous for one of classical music’s most endearing practical jokes. The concert will continue with a performance by the 2020 student concerto competition winner and will conclude with Maurice Duruflé’s Requiem, a mesmerizing work that seamlessly blends the ancient and modern. Shuttle service will be available from the Eustis parking lot beginning at 7pm and immediately after the performances.

Choral MasterWork directed by Jinwook Park and Eric Christopher Perry

The final program of the Colby Symphony Orchestra’s 2019-20 season begins with Haydn’s Surprise Symphony, a work that has become famous for one of classical music’s most endearing practical jokes. The concert will continue with a performance by the 2020 student concerto competition winner and will conclude with Maurice Duruflé’s Requiem, a mesmerizing work that seamlessly blends the ancient and modern. Shuttle service will be available from the Eustis parking lot beginning at 7pm and immediately after the performances.

Markuspassion: Colby College Collegium directed by Eric Christopher Perry

The Colby College Collegium will combine forces with guest artists in a rarely heard performance of the Passion setting by Reinhard Keiser, a contemporary of J.S. Bach. The work is a musical telling of the crucifixion of Jesus Christ according to the Gospel of St. Mark and was performed frequently by Bach himself as part of Good Friday services in Leipzig. The Collegium will be joined by members of the Nahant Music Festival chorus and a period-instrument orchestra. Shuttle service will be available from the Eustis parking lot beginning at 7pm and immediately after the performance.

Henry Kramer, piano (Funded by the Freda M. Charles Music Fund)

As winner of the Second Prize at the 2016 Queen Elisabeth Competition and a recipient of a 2019 Avery Fisher Career Grant, pianist Henry Kramer is well on his way to becoming one of the most exciting American musicians of his generation. For his Music at Colby debut, Kramer, a Maine native, will present Beethoven’s magnificent Sonata Op. 109 and Ravel’s Le Tombeau de Couperin. Shuttle service will be available from the Eustis parking lot beginning at 7pm and immediately after the performance.

First Seeds, First Steps: Colby Jazz Band directed by Eric Thomas

(Featuring guest performers from Associate Professor Sonja Thomas’s course “Critical Race Feminisms and Tap Dance”)
Who would have guessed that the humble seed of the blues would grow into musical flowers of so many hues?! We’ll trace the evolution of the blues from the works of early artists like Robert Johnson and Ma Rainey through John Coltrane and Miles Davis to today’s eclectic mix of styles and harmonies.

Music in the Museum: David Hyun-su Kim, fortepiano

In celebration of the 250th anniversary of Beethoven’s birth, pianist David Hyun-su Kim returns to Colby to present an all-Beethoven program on a historically appropriate (ca. 1800) Viennese fortepiano.

Pure Motion: Colby Wind Ensemble directed by Eric Thomas

The Colby Wind Ensemble’s spring concert features music full of frantic motion, including Ghost Train Triptych, depicting a supernatural machine that roars out of the night, and Powerhouse, featuring that purveyor of pure energy Bugs Bunny, along with other friends of Looney Tunes fame. The organized chaos of the factory floor will be represented by John Mackey’s Foundry, followed by Eric Whitacre’s calming The White Seal. Shuttle service will be available from the Eustis parking lot beginning at 7pm and immediately after the performance.

Journey to America: Colby Symphony Orchestra directed by Jinwook Park

(An Energy/Exhaustion Humanities Theme Event)
The Journey to America alternates between energy and exhaustion, between dramatic and sublime. Beginning in Austria with Beethoven’s electrifying, epochal Fifth Symphony, the program shifts quickly to a pair of very different works by American masters Samuel Barber and Aaron Copland. Barber’s sometimes ethereal, sometimes anguished Adagio for Strings becomes even more powerful when played beside Copland’s dramatic Fanfare for the Common Man. Rounding out the program will be Copland’s Lincoln Portrait. Shuttle service will be available from the Eustis parking lot beginning at 7pm and immediately after the performance.

Back to the Garden: Colby Kennebec Choral Society and Colby College Chorale directed by Eric Christopher Perry

(An Energy/Exhaustion Humanities Theme Event)
The Colby College Chorale and the Colby Art Song Initiative will reflect on the 50th anniversary of Woodstock in a concert that will include solo and choral compositions related to the music festival to end all music festivals. The choirs and soloists will perform works by Joni Mitchell, Crosby, Stills, Nash, and Young, Bob Dylan, and Joan Baez, among others, accompanied by a live rock band that will include returning artist Jayson Keeton at the keyboard.

Dar Williams in Concert

Dar Williams has been called “one of America’s very best singer-songwriters” by The New Yorker. She’s released ten studio albums and authored four books including her latest, “What I Found In A Thousand Towns,” to be released in September.

Known as much for her staunch progressive ideals as her raw acoustic energy, Williams has been captivating audiences with her sheer elegance and honesty in her folk-pop songwriting since the ’90s. Williams’ growth as an individual over her two-decade-long career has gone hand-in-hand with her evolution as an artist, touring along the way with such distinguished peers as Joan Baez, Patty Griffin, Ani DiFranco, Loudon Wainwright III and Shawn Colvin among others.

Dar’s most recent album, Emerald, “deals as bluntly as ever with the shadowy, subtle corners of humanity” according to Rolling Stone, and was recorded with friends such as Richard Thompson, Jill Sobule, Jim Lauderdale, the Milk Carton Kids, Lucy Wainwright Roche, Suzzy Roche, the Hooters and others in various studios across the U.S. It is a sparkling collection of new original material, inspired collaborations and some surprising covers such as B.A.D.’s “Johnny Appleseed” making this album one of her best yet.

“Dar Williams, one of America’s very best singer-songwriters… Her songs are beautiful. Some are like finely crafted short stories. They are, variously, devastatingly moving, tenderly funny, subtle without being in any way inaccessible, and utterly fresh—not a cliché or a clunker in her entire songbook.”
-The New Yorker

Tickets: $32 – $33
Prices include per ticket handling fees.

On Sale to Members: August 8
On Sale to Public: August 15